敏感难得
吕美立
画画最珍贵的是敏感，画者的敏感蕴涵散布于画中，其行迹大约为二，一是画者对画物的敏感；二是画者对画素的敏感，两者于画中合二为一，即成画的敏感。画的敏感亦即画者的敏感。在众多的画者之中，能一直保有这份敏感的不多，即便是很有名的所谓大家也有许多是失敏的，只是众生盲辨，无以明晓。
画画的敏感既是画者的敏感，亦即生命的敏感，无敏感即无发现，无敏感即无创造，无敏感亦无艺术！
敏感是每一个人与生俱有的本能，只有“多少”之差，绝没 “有无”之辨，只要检视儿时的画作，生命的敏感分明在每幅画均有跃动。
令人感叹与无奈的是敏感如一隐形之神，并非相随着人的成长和成熟而呈正增长，却是可悲的与时俱减的负增长！这已是大部分画者无可左右的不归之路。
究其原因，概约两端: 常道的“左左右右”；世俗的“上上下下”。没有道理与世俗，人会弱智；有了道理与世俗，又冲散与消解了与生俱来的敏感，正因敏感是上苍赐予人的生存本能，源自于生命的激奋和忘我的专注，道理与世俗无形地推使人之本能“节能”，将生命的烈焰幻化为烟尘，在此消解之下，生命的热能已无催生生命敏感的温度，残存的只能是麻木和无生命的造作。
敏感的流失恰似人体内的荷尔蒙，来时不打招呼，去时也不道别，真的去了，单靠外补内激，已尽为难以复归的权宜之计。
然有少数画者会在常道与世俗的流沙中，说不清道不明地广纳生命的能量，聚合为光照度与穿透力的不一般的深度敏感，观于画物，创于画素，入于画迹，将生命的热度储存在画中，继而源源不绝地传导于受众，使其生命永存。
观葛辉其人其画，当属此！
The Sensitive Is Hard to Gain
By lv Meili
The sensitive is the most valuable in drawing. The sensitive of a painter is hidden in the picture. It is two traces, one is the sensitive to the object to be drawn, and the other is sensitive to the material of the drawing, which is one thing in a picture. Then it is the sensitive of a picture. The sensitive to a picture is also one to a painter. In a lot of painters, not many can always keep the sensitive. Some very famous so-called masters maybe are insensitive, but most of us can find that and so we don’t know those.
Though the sensitive of drawing is the one of the painter, it is also the one to the life. The insensitive is to be without discovering, creating and non-art.
The sensitive is the ability with a person when he or she was born. There is only more or less, absolutely no augment about whether or not. If we check the drawings of children, there are all the sensitive of life on very pictures.
What makes us sigh and helpless is that the sensitive is like an invisible god and not increasing with the growth of us but decreasing sadly with the growth of us, as is the way without returning for most of the painters.
There are two reasons for it, one is said by the left and the right, the other is the secular of the top and the bottom. Without the principle and the secular, the human being will be fool. Otherwise, there is less the sensitive. Because the sensitive is the survival ability of human beings given by the god, and is derived from the excited life and selfless dedication, with the reason and the secular bringing people's instinct into the invisible energy saving, the flame of life turns into dust. Under this digestion, the heat of life can not birth the temperature of life sensitive any longer, and the remaining only could be numbness and non-living artificial.
The lost sensitive seems the hormones of the human body. There is no calling when it is coming and there is no goodbye when it is really going. Only depending on supplying from the outside and promoting from inside, it is hard to return and just an expedient means.
While some painters could accumulate the life energy, in everyday and secular life, as can not be hard to express, which gathers into abnormal deep sensitive on the light intensity and penetrating power. It is inside of watching of the object, creating of the material and the trace of drawings, which is put the heat of life in drawing. Then it could be given to the audience and could be kept by itself life forever.
I find Ge Hui belongs to that kind, when I am watching his pictures and himself.